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The Garden Party Collective presents: Mental Health Poetry Contest 

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2026 Contest Details ​

We were so moved by everyone's kind words and participation ​for our third Mental Health Poetry Contest. Many thanks to the 325 poets who trusted us with their vulnerability!  
 
The Garden Party Collective and Christa's family have together selected the following three 2026 winners: David Anson Lee, nat raum, and V.C. Myers!

​And special thanks to our wonderful finalists:

  • Ariana Matondo

  • Sadee Bee

  • Marvinci Bobbylex-Oduali

  • Shelby Pinkham

  • Jeremiah David

  • Mattea Gernentz

  • Larissa Freitas

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"Field Guide to the Animal I Become at Night"

At 3:17 the glass moves from the counter to the floor.
Nothing breaks. The animal checks the locks twice.
It listens to the refrigerator make its little ocean.
Do not approach: it startles at kindness.


Nothing breaks. The animal checks the locks twice.
By dawn it has counted every crack in the ceiling,
the porch boards, the teeth in the comb. It has
forgotten why. Do not approach: it startles at kindness.

 

By dawn it has counted every crack in the ceiling,
the blue plate mistaken for sky, the spoon for a moon.
At 8:04 a truck backfires. The animal folds inward.
It has forgotten why. Names are another kind of noise.

 

The blue plate mistaken for sky, the spoon for a moon.
At noon a moth enters through the torn screen.
The animal watches, then opens the door.
At 8:04 a truck backfires. The animal folds inward.

 

At noon a moth enters through the torn screen.
The animal watches, then opens the door.
Not for the moth. For the air. The locks remain unlocked.
The animal checks the locks twice.

David Anson Lee (he/him) is a physician and poet whose work explores memory, vulnerability, perception, and the strange intersections of the ordinary and the surreal. His poems have appeared or are forthcoming in literary journals and anthologies, and his debut chapbook, The Body Keeps Its Inventory in Shadow, is forthcoming from Kelsay Books. His work can also be found at DavidALee.substack.com.

​

website: DavidALee.substack.com

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"Sundowners"

Every day at sunset, my mother opens
all her doors and windows to let bats in.
They fill her house, a black whirlwind,
riding her ceiling fan like a carousel,
go through her cabinets, breaking her
best, most delicate china, her fragile
grasp of reality, her fraying memory.
Bats in her pantry. Bats in her belfry.
Dementia, our wretched legacy, our
bitter inheritance, decorating every
branch of our family tree. Her father
tended the bats, then her mother. Her
older sister tried to take them out west,
set them free over the Grand Canyon.
They followed her back here, haunting,
homing pigeons, attaching themselves
to her baby sister. By sunrise tomorrow,
my mother will forget her nocturnal
visitors. Until the next night's shadow
orchestra performs. Bats descending
with the sun. I descend from a clan of
poets, though none before me dared
claim the title. I shiver, mistaking a
plague of grackles for bats as they fly
past me in falling snow. Snow is so
beautiful, but too hopeful for this poem.
After the doctor's dire diagnosis, I buried
a crowd in the garden. Forget-me-nots.
Please, dear God. A dark wind lifts their
pale blue petals like pom poms, a prelude
to the coming storm. A swamp cypress
on the hill waves feathery green leaves,
thrashing the air in defiance. We all
struggle against our fate. I don't dare
open my door for fear of bats. I don't dare
open my mouth for fear of screams.

V.C. Myers, Author Photo, BW 300dpi.jpg

V.C. Myers is the author of Ophelia (Femme Salvé Books, 2023) and Give the Bard a Tetanus Shot (Vegetarian Alcoholic Press, 2019). She has edited and read for Sarabande Books, Barren Magazine, New International Voices (Ice Floe Press), and Frontier Poetry. Her work appears in journals such as EPOCH, Poet Lore, Prairie Schooner, and Bombay Gin.

​

Website: vcmyers.com

Email: vcmpoetry@gmail.com

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"self-portrait as a citadel"

all slabs of formstone and stacked-up
barricades, there is nothing this body

 

can’t weather. who needs a tower
when you were at once built and taught
to repel the forces of evil? everything

 

is supposed to be black and white
like this—you’re good or you’re bad.

 

when you don’t tell the truth, that’s a lie
by omission. there’s a reason no one talks
about what lurks within the city’s walls;

 

they still want to sleep soundly and say
there’s only splendor here. they don’t tell you

 

this, but when you build your walls this
high, you’re stuck with what’s inside them.

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nat raum (they/she/he) is a queer disabled artist, writer, and editor based on unceded Piscataway and Susquehannock land in Baltimore. They write for the Baltimore Beat, with other publishers of their work including Split Lip Magazine, Muzzle Magazine, Poetry Online, Poet Lore, beestung, and others. Find them online at natraum.com.

​

instagram: @greatearlofhell 

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2025 Contest Details ​

Many thanks to the 200 poets who trusted us with their vulnerability!  
 
The Garden Party Collective and Christa's family have together selected the following three 2025 winners: Abby Nicole Yee, Rachel Desiree Felix, and Jaime Lam!

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"Tomorrow you’ll be here and I’ll be waiting"

for you

on the dot, I promise.

For when you’ve lost sight

                    of tomorrow.

                                        For when you’re sure there’s

                                                            nothing to be done

                                                                                anymore;

                                        for when your time has edged you

                                                            out into the expanse

                                                                                of molecular chaos,

                                                            and you no longer know how rules

                                        work now even your body

                                                                                    has burned your skin clean 

                                                                                    of all identifying prints

                                                                                                of goodness.

I will dream for the both of us;

                    stay with me, even in my quiet, even

                                        in my order, what remains then

                                        of your spark.

                    I find you in the smallest of signifiers

through the window of deferral, an unencumbered sunbeam!

        I believe the world does not need language

                 to recognize

                                        it has failed you.

                    You, who knew full well how

                                        nothing in this world is promised.

 

But Possibility has itself seen you truly

                    It knows, and somehow,

tomorrow we rise with the sun.

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Abby Nicole Yee (she/they) is a Filipino neurodivergent writer of fiction and poetry born and based in Cagayan de Oro. Her work can be found in Penumbric, Horrific Scribes, Clarkesworld, Philippines Graphic, and elsewhere, and has been longlisted in the YA OPEN contest by Voyage YA/Uncharted Magazine. She is currently taking up Creative Writing at University of the Philippines Diliman. When not writing your problematic faves, she’s perpetually squinting at the world at large. Find links to her other work at abbynicoleyee.com
​

instagram: @abbynicoleyee

facebook: abbynicoleyee

twitter: @AbbyYee_

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"VARIATION ON A THEME DONE BY JOHN MURILLO ON A THEME DONE BY ELIZABETH BISHOP"
After John Murillo

Start with cracks. Break everything. Then break all over.
Break when someone calls you ‘honey.’ Cover your tracks
and break alone. Mend as if you have no choice
but to mend, as you have no choice. Mend like a bruised
root, like a stomped wing. Mend, honey, mend. Crumble
at kindness, then build a bridge to get over it. Break, and
mend again. Count the scars born in one marriage. Flinch
when a man calls, you, your name. Think of who told you love
was meant to bleed. Break promises. Break cycles. Break
away. Live openly. Read: the same testimonies of broken
women over, and over. Letters begging, scented of him. An ‘I
love you,’ cowering at the bottom corner. Write: new roots.
A scandalous confession. The seventeen-year-old, confident
she knew the difference between a love story and a criminal
charge. Mourn. Mend what is left of her. Hope she is not all gone.
Break old habits that might kill you, because what can kill, will.
Mend until you rebel against withdrawal of the one
who taught you, you, deserved to be broken. Mend to escape
instincts of forgiving the one who does not deserve it. Break
out until anew, then mend until whole. Write:
a new chapter. The woman of twenty-three who knows the sky
and growing the need to live all over again.

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Jaime Lam graduated from Knox College. She majored in English and Creative Writing, was the winner of the Davenport Creative Nonfiction Prize in 2021, and has been nominated for two Pushcart Prizes. As a writer, she tends to play in poetry, essays, and urban fantasy. As a person, she has a habit of laughing ridiculously hard at her own jokes and wants to personally remind you to drink water. Her writing can be found in Viewless Wings, Willows Wept Review, Sandhills Literary, and more.

​

instagram: @rainjmerain

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"Ginger Forgets, Ginkgo Remembers"

I.
I bring ginger from the old country,
peel it with my mother’s paring knife.
The blade is rusted.
Snow outside lies clean.
Nothing here smells of rot or spice—
just doenjang, a smear of fermented soy,
and glass,
my breath making clouds
on a window that never fogs enough
to hide what I’ve become.

 

II.
My body kept the score in languages
no one in my family ever learnt.
Bruises faded, but their shadows stayed,
flowering like kulat—rot in quiet bloom—
beneath the ribs.
I learnt to sit small, chew slow,
never interrupt the thunder in a man’s voice.
Shame curled behind my knees—
so I’d never kneel in the wrong direction.
Even my spine learnt to stiffen
at the syllables of my own name.

 

III.
I grew up where the heat softened everything—
mango skins on the ground, swollen ankles,
even the truth.
Our zinc roof clanged like a signal,
but no one ever came.
Mak called it cubit sayang—
love disguised as a pinch—
when she pinched too hard.
Said girls who answered back
would never marry well.
I learnt to fold my voice into laundry,
hang it up with the bras,
where the wind wouldn’t touch it.

 

IV.
In Korea, even grief is well-behaved.
The wardrobe holds two coats.
A single jar of kimchi waits in the fridge.
I whisper in English to the tiles,
let the Cuckoo rice cooker exhale for me.
Outside, the world quarrels in traffic—
in drunk ahjussis, in ajummas
flinging words over fish—
but no one yells in our small silence,
this neat square of warmth
where the floor waits like a held breath.
Yet, memory fogs the mirror
when I wash my face,
and I tense at the sound
of a door closing too hard.

 

V.
Back home, I was all frill and flash—
glitter heels, glass nails,
the smell of salon hair.
Pretty was armour; silence, a skill.
In the Land of the Morning Calm,
I found my missing pieces
on pine-needled trails.
The mugunghwa—Korea’s hibiscus—
never asked me to smile.
Nor did the wind threading through sonamu—
the slow-breathing pines—
or the snow resting its weight without question.
Even in winter, the ginkgo listens.
I touch its yellow leaf like skin
and let it fall without apology.

 

VI.
I will not mother pain into another girl.
And I refuse to pass down silence
like heirloom gold.
Let the bangles rust.
Release the name.
I’ve packed light on purpose—
left the lace behind, the silver,
the mother’s rules folded in.

What I carry now: rice, ginger,
a clean pillowcase,
my own name said kindly.
I have left the door unlocked—
not for return,
but for air.

 

VII.
The snow falls like it always does—
indifferent, soft, certain.
I brew solnip-cha—
pine tea from the mountains.
I stay still.
My breath fogs the window,
and no one asks me to wipe it.
Nothing blooms out of season today,
not even me.
But I am here,
and that is enough.

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Rachel Desiree Felix is a Malaysian writer based in South Korea. Her work explores trauma, belonging, and the quiet strength of brown girl survival—often rooted in nature, memory, and cultural complexity.

​

instagram: @racheldesiree

facebook: rachel.d.felix

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2024 Contest Results

Many thanks to the 180+ poets who shared their work! 
 
The Garden Party Collective and Christa's family have together selected the following three 2024 winners: Josh Lefkowitz, SG Huerta, & Susan L. Lin!

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“Aisle C”

Grapes are on sale – I’m wild 
today, weeping 
in the supermarket, way too raw 
to wrap my words around this. 
Yeah I’ll be eventually okay I think –

sorry, excuse me sir, where’s the hope? –

but right now it’s like, over- 
-whelming. She (the doctor) 
gave an extra thirty pill refill, in

case I felt I wasn’t ready – I’m not 
going to take them yet but 
good to know they’re there. 
That’s right, there there, I tell 
myself, in the absence of a friend 
I’ll be your fiend. Silly typo. 
Remember clown class, though? 
Where every mistake was a gift 
to unleash the clown? God, I wish 
I had one of those ginormous hankies to

pull from my pocket, to make people not

me smile, while beneath the face paint

I’m utterly untamed, down- 
-right dangerous to the person I’m

most required to take good care of… 
At least wipe our eyes with our sleeve.
Good,

now where were we. Feelings, amirite?! So this

is week two? Hey – say that out loud then 

refute it. Crying in public in grocery stores

isn’t weak. Joshua, this is being alive.

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Josh Lefkowitz received an Avery Hopwood Award for Poetry at the University of Michigan. His poems and essays have been published in The New York Times, Washington Square Review, Electric Literature, Rattle, and many other places. He currently lives in Boulder, Colorado.

​

Twitter: @jelefko
Facebook: josh.lefkowitz.357
Instagram: @jelefko

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“AGAINST DYING”

for my late father and listening to Pink Floyd with him

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SG Huerta (they/he/el) is a queer Xicanx writer, editor, and organizer from Dallas. They are the Poetry Editor of Abode Press and the author of two poetry chapbooks. Their forthcoming nonfiction chapbook GOOD GRIEF (fifth wheel press 2025) is about living with bipolar disorder and grieving late loved ones. They also write about trans/literary things in their newsletter, trans poetica. Find them at sghuertawriting.com or in Texas with their partner and cats. They believe Palestine will be free from the river to the sea.​

​

Note: the author has donated a portion of their prize support toward a BIPOC Therapy Fund in memory of their dad (https://mentalhealthliberation.org/) <3

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“For I Am Not Frida Kahlo, But I Have Seen Her Painting in the Bathroom Mirror”

On my first Earth day, the townspeople waxed lyrical about my dark eyes, midnight-sky canvases underpainted with fields of glimmering stars. Wild animals gravitating to the backyard garden in response to my wordless wails, leafy plants sprouting like beanstalks in the damp dirt that cradled us.

​

On my 13th birthday, I began accessorizing with barbed wire in place of a Peter Pan collar, the borrowed walls of a prison fence. Its thorny spikes puncturing my veins, letting my blood flow free without razing my thin skin or my delicate clothing, my well-worn fabric of space-time.

 

On my 30th birthday, I began accessorizing with feathered birds in place of a Lost-at-Sea Sailor collar, the dangled charms of an invisible necklace. My taloned friends humming tunes inside my head, needle-dropping earworms without musing a true sound, not one false treble note.

 

Other curious creatures made nests with found objects in my hair, laid their fragile eggs in the bed of curls. I waited years for them to hatch but whatever was trapped inside never even rattled against the bars of their locked ribcages. Only when I’d forgotten the promise of new life ever existed did those precarious eggs begin to rock, like weather buoys on moonlit ocean waves.

 

In time, I was reborn from broken shells. And I flew: at home, at last, among the waiting clouds.

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Susan L. Lin is a Taiwanese American storyteller who hails from southeast Texas and holds an MFA in Writing from California College of the Arts. Her novella Goodbye to the Ocean won the 2022 Etchings Press novella prize, and her short prose and poetry have appeared in over eighty different publications. She loves to dance and is almost always anxious. Find more at https://susanllin.com.

​

Twitter: @SusanLLin

Instagram: @susanlinosaur

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Contest Origins

We at the GPC were heartbroken to learn the news of Christa Vander Wyst's passing (Jan. 2024). She was a beautiful light in our group, and to her friends and family, and we're all still processing her loss. 

Discussing how we could best honor her, we knew mental health was always an important subject for Christa--she was already planning to host a contest soon through our collective for poets who have struggled / are currently struggling with mental illness.

As such, we at the GPC have started a yearly contest in tribute to Christa and her legacy.
​
Furthermore, we have partnered with Christa's family to pick the 3 winners for this yearly contest--each receiving $100 in prize support. ​​​​​

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Contest Details ​​

  • WE'RE NOW ACCEPTING SUBMISSIONS DURING SEPTEMBER 6TH - 12TH <3 

  • Please send your work to: gardenpartycollectivecontests@gmail.com

  • SUBMISSION PERIOD: we accept submissions during National Suicide Prevention Week each year.

  • out of respect to her family, please no poems explicitly about Christa or her passing.​

  • while this contest is for poets who are currently struggling with or have struggled with any mental condition(s), the poems themselves can be about any topic.​​

 

For more info regarding contest details and how to submit, please refer to our Poetry Contest page.

​​

WHAT WE OFFER:

  • At least 3 poems will be picked as winners by the lead judge and the collective, with featured publication and promotion!

  • each winner will receive $100 and publication as prize!
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GUIDELINES: ​

All submission entries should be accompanied by a 2-4 sentence bio with any relevant links in the body of the email. Please include the titles of your poems in the body of the submission email, and attach your poetry contest manuscript as a pdf / doc / docx to the email.

​

ADDITIONALLY: 

  • Entries must be ~3 pages max, with up to 3 poems

    • IE—at maximum, you can submit a single 3-page poem, OR three 1-page poems, OR a 2-pager and a 1-pager, etc.

    • All poems should be included in one document (not separately)

  • ​Please start each poem on a new page

  • No previously published work

  • All styles are welcome—traditional, experimental, hybrid, etc.

  • Simultaneous submissions are accepted, but please keep us in the loop if you hear back elsewhere 

  • Please include your pronouns in your bio/submission so we can properly refer to you <3​

  • & one entry per person, please​

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Any entry received after the selected dates will not be considered for publication. We read every manuscript, and will select our winners within two months of submissions!​

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Mental Health Resources

https://988lifeline.org/chat/
Crisis Text Line: Text Hello to 741741
Suicide and Crisis Hotline: 988

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